Archive for the ‘Love Actually’ Tag

My 12 Favorite Holiday Movies   Leave a comment

December 1, 2019

One of the things I enjoy in December is reliving Thanksgiving and Christmas memories through films. It’s easy to see my- self as a child having Turkey dinner with my family, dealing with crazy relatives, seeing Santa, going to church, enjoying the snow (really) and, of course, opening presents. This year I’ve expanded my list of favorite holiday films to include twelve films that are worth watching . Take any one or all twelve and enjoy them, preferably with someone you love.

#12 • National Lampoon’s Christmas Vacation: Not all of the films from Na- tional Lampoon have been winners but this 1989 spinoff from the original National Lampoon’s Vacation is a lot of fun. Chevy Chase and Beverly D’Angelo return as the Griswold parents, along with a new cast- members Juliet Lewis (Audrey) and Johnny Galecki). It’s also worth watching Julia Lou- is-Dreyfus and Nicholas Guest in almost cameo roles as the way-too-hipster next door neighbors “Margo and Todd Chester”. Fond memories (or not so fond memories) on the horror of sharing Christmas with the entire family. Good fun.

#11 • A Christmas Carol: There have been many film versions adapted from Charles Dickens’ story, but this 1951 version is my favorite. It features Alastair Sim as Ebenezer Scrooge, Mervyn Johns as Bob Cratchit, and Michael Hordern as Jacob Marley. The story is timeless and worth watching every Christmas. Whether you become tearful or not, it’s a century old story, in a half-century old film, shot in glorious black and white, and it still delivers

#10 • Prancer: This 1989 film features a midwest farmer/single dad, his 9-year old daughter, and a reindeer named Prancer. It has sentimentality but also a first rate real- ism and charm. Directed by John Hancock, Prancer stars Sam Elliott, Rebecca Harrell, and Cloris Leachman. Roger Ebert’s review included this: “[ Jessica is] a 9-year-old who still believes in Santa Claus, and uses logic to defend her position: If there isn’t a Santa, then maybe there isn’t a God, and if there isn’t a God, then there isn’t a heaven, and, in that case, where did nine-year old Jessica’s mother go when she died?” Heavy stuff or heady stuff? Either way, you can handle it and feel good about this unusually good holiday treat.

#9 • Home Alone: Few movie stars have the ability to be both charming and annoy- ing on screen and in real life, and all before the age of 12. Forget the annoying part. Macaulay Culkin helps drive this 1990 film as the young child left home by highly dis- tracted parents. Culkin benefits from the direction of Chris Columbus, the writing of John Hughes, and the comedic performanc- es of Joe Pesci and Daniel Stern. It’s been a quarter century since the film was made yet the basic premise holds up. If it seems like too much work, watch it for Pesci and Stern. The film wouldn’t work without them as the bumbling thieves.

#8 • The Santa Clause: Tim Allen’s turn in this 1994 holi- day feature film was a surprisingly good idea. In short, Santa dies on the job, Tim Allen’s character steps in to save the day and dis- covers that he is now (and forever?) the new Santa Claus. It’s funny with some tugging at the heart. This is the Twinkie of Christmas movies. Enjoy it and don’t think about the calories. The Washing- ton Post had it right: “The Santa Clause would be another for- mulaic Christmas special without Tim Allen.”

#7 • Elf: I find Will Ferrell to be an above average performer, but his films rarely rise to become a favorite. However, Ferrell as Buddy, the elf, does make Elf succeed as a holiday film worth seeing and, to be hon- est, to put in your annual Holiday rotation. How the 6’ 3” Ferrell becomes one of San- ta’s little helpers is less important than his holiday visit to New York City to find his birth father, played by James Caan. Suffice to say that the movie works and should be- come one of your regular holiday treats. Elf also stars Bob Newhart, Zooey Deschanel, and Mary Steenburgen.

#6 • Planes, Trains, and Automobiles: No holiday season would be complete with- out this 1987 film. One of Steve Martin’s better outings, and John Candy is as per- fect as he can be. These two travelmates be- come mutually dependent as they attempt to travel from New York to Chicago by way of Kansas and Missouri in an effort to get home for Thanksgiving. As with most films written and directed by John Hughes, the music is top notch (including Martin’s trau- matized rap effort “you’re messin’ with the wrong guy”.) The film is wonderful and it always reminds me of how much the world misses John Candy.

#5 • Miracle on 34th Street: On the surface this is a film about a nice old man who calls himself Kris Kringle and claims to be Santa Claus. Threatened with being declared insane, a young lawyer steps in to de- fend Kringle, arguing in court that he really is Santa Claus. While Kringle’s sanity is the central theme, the real centerpiece of the 1947 film is about a single mom’s journey (and ours) to have faith, and to believe in something that may be difficult or impossible to prove. While that sounds like religion, the faith here is far more about life itself. But it works on both levels. The cast is a who’s who of post WWII Hollywood faces: Maureen O’Hara, John Payne, Edmund Gwenn, Gene Lockhart, Natalie Wood, Granville Saw- yer, William Frawley, and Jerome Cowan.

#4 • The Bishop’s Wife: This 1947 film is also about Christmas and faith. But relax, this is not a film that looks or feels anything like a tent-revival. It’s an intelligent story basedon a visiting angel named Dudley (Cary Grant) entering the life of protestant minis- ter Henry Brougham (David Niven), who’s marriage to wife Julia (Loretta Young) is tested along the way. There are numerous religious moments but the film is anything but preachy. There are lofty (sometimes heavenly) goals, a couple of sermons, a boys choir, some shopping, lunch at a French res- taurant named Michel’s (of course), a few snobs, and some solid citizens. Sit back and simply let yourself get lost inside this film. Rounding out the cast are Elsa Lanchester, Regis Toomey, James Gleason, and Monty Woolley.

#3 • Love Actually: This is a film that, as happens to many of us, I missed when it was theatrically released in 2003. The cast- ing is superb. Bill Nighy as the aging pop/ rock star Billy Mack and Hugh Grant as the newly-elected Prime Minister. Colin Firth loses a cheating British girlfriend and man- ages to find love in Portugal. Love Actually also stars Emma Thompson, Keira Knight- ley, Liam Neeson, Laura Linney, Billy Bob Thornton and another 20 recognizable faces among the thoughtfully-assembled ensemble cast. There are a dozen criss- crossing relationships that are, surprisingly, a joy to follow. There’s magic in the music, humor, love, and politics, and you’ll learn about the Christmas lobster. It’s worth add- ing to your holiday viewing.

#2 • It’s A Wonderful Life: Frank Capra presents the life and times of George Bai- ley and Mary Hatch (James Stewart and Donna Reed). In just over two hours, we are treated to their lives and ours. Like the old nursery rhyme, this 1947 film features tinkers, tailors, soldiers, sailors, doctors, a rich man and more. As Bailey’s life moves forward, he’s forced to reflect on how he’s helped change things for the better, and with an angel’s help, he sees an alternate version of how his absence could change everything and everyone. Like other Capra films, this one is rich in characters and char- acter actors, including Lionel Barrymore,Thomas Mitchell, Henry Travers, Beulah Bondi, Frank Faylen, Ward Bond, Gloria Grahame, and H.B. Warner. And for trivia buffs, there is the perfectly-cast voice of Moroni Olsen as Franklin, the never seen senior angel narrating the film.

#1 • A Christmas Story: This 1983 film narrowly edged out the others for #1 simply because it speaks to me on so many levels. Instead of just seeing the enjoyable chaos surrounding the lives of the Parker family, I can clearly see my own family growing up in Milwaukee; our version was all Wisconsin, not Indiana. Yet like ‘old man Parker’, my father did swear at the furnace (and other things). I did want a BB gun for christmas. We lived in our version of that neighbor- hood, on that street, in that house and we had our own Bumpus family for neighbors. And there was plenty of innocent “drama” surrounding our lives as Christmas ap- proached, but there was also the sense of family and time together. I love this film. Happily we’re taken back to a time when, as Jean Shepherd tells us, “all was right with the world”.

The Missing Music: Eva Cassidy   3 comments

September 26, 2011

Part 9: Eva Cassidy: The Lost Songbird

This is the ninth of ten posts about ten important women in the recording industry, each of whom died long before their time. If you haven’t already read through the introduction to this series, please follow this link to the “introduction“, and then go on to any of the individual posts.

Eva Cassidy (1963-1996)

I was a late arrival to Eva Cassidy. So late, in fact, that any of her music that might have been playing on the radio or as mood music in a local restaurant must have blended perfectly into the background. Ambiance personified. My fully conscious introduction to Cassidy was via music selected for the film Love Actually. The version of her recording of “Songbird” was one part of a brilliantly-selected group of songs for use in that film. And consistent with most of Cassidy’s recorded works, it wasn’t an original Cassidy composition. Instead, Christine McVie, the often unsung—my opinion—vocal, keyboard, and songwriting talent within Fleetwood Mac, wrote “Songbird” which, along with “Don’t Stop”, “You Make Loving Fun”, and “Oh Daddy”, was included on the wildly successful 1977 Rumours album. Cassidy, as the best vocalists and musicians must do, made the song her own.

Eva Cassidy’s gifted vocal performance and the placement in Love Actually lifted her profile considerably, albeit seven years after her death in 1996 from melanoma. She also benefited from her recording of “Over The Rainbow”, which British television used (a few years before Love Actually,) and predictably, it too broadened the fan-base. For obvious reasons there isn’t a giant catalog of recorded material by Cassidy, who was as prolific as a graphic artist as a recording artist. But like Vincent Van Gogh, who sold but one painting while he was alive, Cassidy’s recordings weren’t discovered during her life by a vast audience clamoring for more. Absent commercial success, there was no organic marketplace providing the impetus for more recordings. At least the recordings Eva Cassidy did have time to make have found an audience today. With her death at age 33, one can’t help but wonder where producers or arrangers would have taken her with more time. But time is a luxury she didn’t have.

Prior: Kirsty MacColl

Last: Laura Nyro

David Steffen

© David Steffen 2011